Opening comments to the general public to ask a
question, in sincerity: what changed the minds
of society's former First Amendment advocates?
By Matt Taibbi
July 14, 2023:
Information Clearing House
-- Yesterday a House
Committee — Republican-led, but still — released
a
series of documents showing without a doubt
that the FBI has been forwarding thousands of
content moderation “requests” to Facebook,
Instagram, Twitter, and YouTube on behalf of the
SBU, Ukraine’s Security Agency.
The documents not only contain
incontrovertible evidence that our own FBI
pressures tech companies to censor material, but
that the Bureau is outsourcing such work to a
foreign government, in this case Ukraine. This
passage below for instance reads “The SBU
requested for your review and if appropriate
deletion/suspension of these accounts.”
There can’t possibly be controversy at this
point as to whether or not this censorship
program is going on. Whether it’s the FBI
forwarding the SBU asking for the removal of
Aaron Maté, or the Global Engagement Center
recommending action on the Canadian site
GlobalResearch.Ca, or the White House demanding
the takedown of figures like Robert F. Kennedy,
Jr., the same types of behavior have now been
captured over and over.
In light of this, I have to ask: where are
the rest of the “card-carrying” liberals from
the seventies, eighties, and nineties — people
like me, who always reflexively opposed
restrictions on speech?
Is your argument that private companies can
do what they want? Then why did you think
otherwise in 1985, when Tipper Gore’s Parents
Music Resource Center
suggested record companies “voluntarily” label
as dirty songs like “Darling Nikki,” and
call them McCarthyites when they compiled a list
of the “Filthy Fifteen” albums? Does that not
sound suspiciously like the “Disinformation
Dozen”? Why were you on Frank Zappa’s side
then, but with blacklisters now?
Do you now think it’s not really censorship
if the FBI merely makes its opinion known about
content, and doesn’t order takedowns? Did you
think the same when the FBI sent a letter to
Priority Records complaining about NWA’s “Fuck
the Police”? Did you agree then with the ACLU,
whose Southern California chairman responded to
the FBI’s letter by
saying, “It is completely inappropriate for
any government agency to try to influence what
artists do. It is completely against the
American traditions of free speech”?
Is your belief that new forms of speech
constitute “harm” and “offense” to such a degree
that censorship is warranted? If so, why did you
once support Andres Serrano and his work
Piss Christ, which Catholics insisted was
an intolerable offense, and call it censorship
when opponents like Al D’Amato and Jesse Helms
tried to
pull funding for Serrano from the National
Endowment of the Arts? Wasn’t the Hustler
magazine spread suggesting Jerry Falwell
had sex with his mother in an outhouse
offensive? Didn’t you go to
The People Versus Larry Flynt anyway?
If you’re okay with the FBI collaborating on
censorship with the SBU now, why oppose the
original PATRIOT Act, suggesting you didn’t even
want the government looking at library records
in search of Islamic terrorists? Why did you
support the Dixie Chicks when they were
blackballed for antiwar views after the Iraq
invasion? Did you cheer them when you watched
Shut Up and Sing?
Weren’t those national security issues, too?
That wasn’t even that long ago. Is Vladimir
Putin that much more of a menace than Al-Qaeda
to justify the change in heart?
The change in thinking of traditional
American liberals is the only part of this
censorship picture that still doesn’t quite
compute for me. I’d like to hear from anyone who
has an explanation, a personal testimonial,
anything. Comments are open to everyone here.
Matt Taibbi is an American author,
journalist, and podcaster. He has reported on
finance, media, politics, and sports. A former
contributing editor for Rolling Stone, he is the
author of several books, co-host of Useful
Idiots, and publisher of the newsletter Racket
News on Substack.
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