Charlie Hebdo And The War
For Civilisation
By Editor - Media Lens
January 15, 2015 "ICH"
- "Media
Lens"
- - In 2003, a top security expert told
filmmaker Michael Moore, 'there is no one in
America other than President Bush who is in
more danger than you'. (Michael Moore, 'Here
Comes Trouble – Stories From My Life,' Allen
Lane, 2011, p.4)
Moore was attacked with a knife, a blunt
object and stalked by a man with a gun.
Scalding coffee was thrown at his face,
punches were thrown in broad daylight. The
verbal abuse was ceaseless, including
numerous death threats. In his book, 'Here
Comes Trouble', Moore writes:
'I could no longer go
out in public without an incident
happening.' (p.20)
A security company, which
compiled a list of more than 440 credible
threats against Moore, told him:
'We need to tell you
that the police have in custody a man
who was planning to blow up your house.
You're in no danger now.' (p.23)
But why was Moore a
target? Had he published cartoons of the
Prophet Muhammad?
The problem had begun in
the first week of the 2003 Iraq war when
Moore's film 'Bowling For Columbine' won the
Oscar for best documentary. At the March 23
Academy Awards ceremony, Moore
told a global audience:
'I've invited my
fellow documentary nominees on the stage
with us. They are here in solidarity
with me because we like nonfiction. We
like nonfiction, yet we live in
fictitious times. We live in a time
where we have fictitious election
results that elect a fictitious
president. We live in a time where we
have a man sending us to war for
fictitious reasons. Whether it's the
fiction of duct tape or the fiction of
orange alerts: we are against this war,
Mr. Bush. Shame on you, Mr. Bush. Shame
on you! And anytime you've got the Pope
and the Dixie Chicks against you, your
time is up! Thank you very much.'
(p.5-6)
About halfway through
these remarks, Moore reports, 'all hell
broke loose'. On arriving home from the
ceremony, he found three truckloads of horse
manure dumped waist-high in his driveway.
That night, Moore witnessed for himself the
extent to which US corporate journalism
defends the right to offend:
'...as I flipped
between the channels, I listened to one
pundit after another question my sanity,
criticise my speech, and say, over and
over, in essence: "I don't know what got
into him!" "He sure won't have an easy
time in this town after that stunt!"
"Who does he think will make another
movie with him now?" "Talk about career
suicide!" After an hour of this, I
turned off the TV and went online –
where there was more of the
same, only worse – from all
over America.' (pp.9-10)
This is the reality of
respect for free speech in the United
States. If, on Oscar night, he had held up a
cartoon depicting President Bush naked on
all fours, buttocks raised to a pornographic
filmmaker, would Moore still be alive today?
War - Total, Merciless, Civilised
In stark contrast to the
campaign of near-fatal media vilification of
Moore, journalists have responded to the
Charlie Hebdo atrocity in Paris by
passionately defending the right to offend.
Or so we are to believe. The Daily
Telegraph's chief interviewer, Allison
Pearson,
wrote:
'Those that died
yesterday did so on the frontline of a
war of civilisations. I salute them,
those Martyrs for Freedom of Speech.'
Former French president
Nicolas Sarkozy agreed,
describing the attacks as 'a war
declared on civilisation'. Joan Smith
wrote in the Guardian:
'I am feeling sick and
shaky. I have been writing all day with
tears running down my face. I don't
suppose I'm alone in reacting like this
to the massacre at Charlie Hebdo, which
is an assault on journalists and free
speech.'
New York Times columnist
Roger Cohen
tweeted:
'I am shaking with
rage at the attack on Charlie Hebdo.
It's an attack on the free world. The
entire free world should respond,
ruthlessly.'
The Western tendency to
act with ruthless, overwhelming violence is,
of course, a key reason why Islamic
terrorists are targeting the West. Glenn
Greenwald
asked Cohen:
'At whom should this
violence be directed beyond the specific
perpetrators, and what form should it
take?'
Sylvain Attal, editor of
new media at TV station France24,
replied:
'response must be both
merciless and respectful of our legal
system. Period'
End of discussion.
American journalist and regular Fox News
talk show host, Geraldo Rivera,
raved:
'The French extremists
say they are committed to Jihad and are
willing to die for their cause. We
should make their wish come true. No
mercy'
The 'entire free world',
then, should resort to ruthless, merciless
violence to defend 'civilisation', a term
some naïve souls have associated with
compassion, restraint, and even the bizarre
exhortation:
'Love your enemies,
bless them that curse you, do good to
them that hate you, and pray for them
which despitefully use you, and
persecute you.'
Cohen
retweeted Anand Giridharadas, who writes
for the New York Times:
'Not & never a war of
civilizations or between them. But a war
FOR civilization against groups on the
other side of that line. #CharlieHebdo'
Thus, we live in a time
when a 'war for civilisation' is seen as
something more than a grotesque
contradiction in terms.
Much, but thankfully not
all, media coverage has been this extreme.
To his credit, former Independent editor
Simon Kelner
managed a rather more nuanced view.
Journalism - Part Of 'The Murder
Machine'
In The Times, the
perennially apocalyptic David Aaronovitch
wrote:
'Yesterday in Paris we
in the west crossed a boundary that
cannot be recrossed. For the first time
since the defeat of fascism a group of
citizens were massacred because of what
they had drawn, said and published.'
The Guardian took a
similar
view:
'Wednesday's atrocity
was the... bloodiest single assault on
western journalism in living memory.'
But, in fact, the
bloodiest attack on journalism in living
memory, at least in Europe, happened on
April 23, 1999 when Nato bombed the
headquarters of Serbian state radio and
television, killing 16 people. The dead
included an editor, a programme director, a
cameraman, a make-up artist, three security
guards and other media support staff.
Additional radio and electrical
installations throughout the country were
also attacked. The New York Times witnessed
the carnage:
'The Spanish-style
entrance was ripped away by the blasts,
which seemed to hit the roof just under
the large girder tower that holds
numerous satellite dishes. Although the
tower and blackened dishes remained, the
control rooms and studios underneath had
simply disappeared.' (Steven Erlanger,
'Survivors of NATO Attack On Serb TV
Headquarters: Luck, Pluck and Resolve,'
The New York Times, April 24, 1999)
Presumably this had been
some kind of terrible mistake by the
civilised West crossing a boundary that
could not be recrossed. No, Nato
insisted that the TV station, a
'ministry of lies', was a legitimate target
and the bombing 'must be seen as an
intensification of our attacks'. A Pentagon
spokesman added:
'Serb TV is as much a
part of Milosevic's murder machine as
his military is. The media is one of the
pillars of Milosevic's power machine. It
is right up there with security forces
and the military.' (Erlanger, op.cit.)
Amnesty International
responded:
'The bombing of the
headquarters of Serbian state radio and
television was a deliberate attack on a
civilian object and as such constitutes
a war crime.'
In all the corporate press
discussion of the Paris killings, we have
found no mention of Nato's bombing of
Serbian TV and radio.
In August 2011, Irina
Bokova, Director-General of UNESCO,
condemned Nato's bombing of Libyan state
broadcasting facilities on July 30, killing
three media workers, with 21 people injured:
'I deplore the NATO
strike on Al-Jamahiriya and its
installations. Media outlets should not
be targeted in military actions. U.N.
Security Council Resolution 1738 (2006)
condemns acts of violence against
journalists and media personnel in
conflict situations.'
Again, Nato
confirmed that the bombing had been
deliberate:
'Striking specifically
these critical satellite dishes will
reduce the regime's ability to oppress
civilians while [preserving] television
broadcast infrastructure that will be
needed after the conflict.'
In November 2001, two
American air-to-surface missiles hit al-Jazeera's
satellite TV station in Kabul, Afghanistan,
killing a reporter. Chief editor Ibrahim
Hilal
said al-Jazeera had communicated the
location of its office in Kabul to the
American authorities.
In April 2003, an al-Jazeera
cameraman was killed when the station's
Baghdad office was bombed during a US air
raid. In 2005, the Guardian
quoted the International Federation of
Journalists (IFJ):
'"Reports that George
Bush and Tony Blair discussed a plan to
bomb al-Jazeera reinforce concerns that
the US attack in Baghdad on April 8
[2003] was deliberate targeting of the
media" said Aidan White, the general
secretary of the IFJ.'
According to the Daily
Mirror, Bush had
told Blair of his plan:
'He made clear he
wanted to bomb al-Jazeera in Qatar and
elsewhere. Blair replied that would
cause a big problem. There's no doubt
what Bush wanted to do - and no doubt
Blair didn't want him to do it.'
Similarly, during last
summer's blitz of Gaza, Israel killed 17
journalists. An investigation led by Human
Rights Watch concluded that Israeli attacks
on journalists were one of many 'apparent
violations' of international law. In a 2012
letter to The New York Times, Lt. Col.
Avital Leibovich, head spokeswoman to
foreign media for the Israel Defense Force,
wrote:
'Such terrorists, who
hold cameras and notebooks in their
hands, are no different from their
colleagues who fire rockets aimed at
Israeli cities and cannot enjoy the
rights and protection afforded to
legitimate journalists.'
'Sorry For Any Offence'
Aaronovitch warned that
'appalling' as previous attacks on Western
free speech had been, 'they were generally
the work of disorganised loners', whereas
the Paris attacks seemed to have been more
organised. What then to say of lethal
attacks on journalists conducted, not by a
group of religious fanatics, but by
democratically elected governments?
Given this context,
corporate media commentary on the Charlie
Hebdo massacre all but drowns in irony and
hypocrisy. The Telegraph
commented:
'But the march in
Paris reminds us, at the very least,
that the men of violence are not just a
minority, but a fragment of a fragment.
And it may be that it also acts as a
turning point. The US is to hold a
conference at the White House on
countering violent extremism...'
In fact, as LSE student
Daniel Wickham
clarified, 'men of violence' were
among the marchers. Certainly the White
House is a good place for people to do some
serious thinking about violent extremism and
how to stop it.
A Guardian leader
observed:
'When men and women
have gone to their deaths for nothing
more than what they have said, or drawn,
there is only one side to be on.'
True, but if it is to be
meaningful, support for the right to offend
must not defer to a self-serving view of a
world divided into 'good guys' and 'bad
guys', 'us' and 'them'. Like the rest of the
media, the Guardian protests passionately
when 'bad guys' commit an atrocity against
'us', but emotive defences of free speech
are in short supply when 'good guys' bomb
Serb and Libyan TV, or threaten the life of
progressive US filmmakers. Far fewer tears
are shed for Serb, Libyan or Palestinian
journalists in US-UK corporate media
offices.
The Guardian added:
'Being shocking is
going to involve offending someone. If
there is a right to free speech,
implicit within it there has to be a
right to offend. Any society that's
serious about liberty has to defend the
free flow of ugly words, even ugly
sentiments.'
The sentiment was quickly
put to the test when BBC reporter Tim
Willcox
commented in a live TV interview:
'Many critics though
of Israel's policy would suggest that
the Palestinians suffer hugely at Jewish
hands as well.'
This mild statement of
obvious fact brought a predictable flood of
calls for Willcox to resign. The journalist
instantly
backed down:
'Really sorry for any
offence caused by a poorly phrased
question in a live interview in Paris
yesterday - it was entirely
unintentional'
A BBC spokesman
completed the humiliation:
'Tim Willcox has
apologised for what he accepts was a
poorly phrased question... He had no
intention of causing offence.'
Glenn Greenwald
describes the prevailing rule:
'As always:
it's free speech if it involves ideas I
like or attacks groups I dislike, but
it's something different when I'm the
one who is offended.'
Chris Hedges
notes:
'In France a Holocaust
denier, or someone who denies the
Armenian genocide, can be imprisoned for
a year and forced to pay a $60,000 fine.
It is a criminal act in France to mock
the Holocaust the way Charlie Hebdo
mocked Islam.'
A point emphasised by the
recent
arrest of a French comedian on charges
of 'defending terrorism'.
The irony of the BBC
apology, given recent events, appears to
have been invisible to most commentators.
Radical comedian Frankie Boyle is a welcome
exception, having earlier
commented:
'I'm reading a defence
of free speech in a paper that tried to
have me arrested and charged with
obscenity for making a joke about the
Queen'
The Guardian leader
concluded:
'Poverty and
discrimination at home may create
fertile conditions for the spread of
extremism, and western misadventures
abroad can certainly inflame the risks.'
The term 'western
misadventures' is a perfect example of how
media like the Guardian work so hard to
avoid offending elite interests with more
accurate descriptions like 'Western
atrocities' and 'Western genocidal crimes'.
A leader in The Times
observed of the Charlie Hebdo killers:
'Their victims knew
the risks they ran by defying the
jihadist strategy of censorship through
terror. They accepted those risks. They
understood that freedom is not free, and
so should we all.' (Leader, 'Nous Sommes
Tous Charlie,' The Times, January 8,
2015)
Fine words, but in 2013
Times owner Rupert Murdoch
apologised for a powerful cartoon by
Gerald Scarfe that had appeared in the
newspaper. The
cartoon depicted the brutal Israeli
treatment of Palestinians but was not in any
way anti-Semitic. Murdoch, however,
tweeted:
'Gerald Scarfe has
never reflected the opinions of the
Sunday Times. Nevertheless, we owe major
apology for grotesque, offensive
cartoon.'
In its response to the
Paris killings, The Times perceived 'a vital
duty for Muslim clerics who must embrace a
new role actively deradicalising their
followers. It also imposes an urgent
responsibility on Muslim political leaders'.
Did the paper have any
positive role models in mind?
'One controversial
figure who appears to have understood
this is Egypt's president, Abdel Fattah
al-Sisi. In a remarkable speech to imams
last week to mark the birthday of
Muhammad, he called for a "religious
revolution" to prevent the Islamic world
being "lost by our own hands".'
The Times went on:
'Mr al-Sisi is not
unique. Najib Razak, Malaysia's prime
minister, has championed moderate
political Islam at home and abroad.'
(Leader, 'Freedom Must Prevail,' Times,
January 9, 2015)
Thus, Sisi, leader of a
military coup, someone who oversaw the
massacre of 1,000 civilian protestors on
a single day in August 2013, is hailed as a
'champion' of 'moderate political Islam'.
There is so much more that
could be said about just how little passion
the corporate media have for defending the
right to offend. Anyone in doubt should try,
as we have, to discuss their own
record of failing to offend the powerful. To
criticise 'mainstream' media from this
perspective is to render oneself a despised
unperson. In response to our polite,
decidedly inoffensive challenges on Twitter
we have been banned by champions of free
speech like Guardian editor Alan Rusbridger,
Jon Snow of Channel 4 News, Jeremy Bowen of
the BBC, Peter Beaumont of the Observer and
Guardian, and many others.
Even rare dissident fig
leaves on newspapers like the Guardian
dismiss as asinine and, yes, offensive, the
suggestion that they should risk offending
their corporate employers and advertisers.
Not only is no attempt made to defend such a
right, the very idea is dismissed as
nonsense unworthy even of discussion.
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